Almost all of the modern digital SLR cameras available today will make reasonably good photos even in the worst of conditions, so does the quality of an image really a determining factor in your purchasing decisions?
With today’s digital cameras almost anyone can stand on the sidelines of a high school football game and come away with some reasonably good photos and for many high school football games there are several moms, dads or students on the sidelines with decent digital cameras. Many of the people taking pictures from the sidelines have no training in either photography or specifically capturing good sports images, but does that really make a difference?
These days it seems most of the photographers on the sidelines of a high school football game are either a parent of one of the players on the team or a student attending one of the schools so I’m going to have to assume that is their reason for being on the sidelines.
When I was in high school and just learning photography we would photograph our high school football games either for the yearbook or for the school newspaper, things were much more complex back then when we shot film. First not everyone had a camera and everybody shot everything in black and white film. The reasons we shot black and white film were three-fold, we could develop the film at the schools photo lab, printing color images in the yearbook or school newspaper was very expensive, and lastly we could “push” the film speed to deal with the poor lighting conditions on the fields. Those days are long gone, with easy access to low-cost highly capable digital cameras that don’t require any background or instruction in photography almost anyone can take pictures at a high school football game, and they do.
Shooting high school football at night can be very challenging due to the poor lighting conditions so the first thing most mildly experience photographers do is increase their ISO, and for the photographer that doesn’t understand things like ISO and shutter speed the camera will take care of most of those settings for you. One of the problems with shooting high, or very high ISO night football is the grainy images – back in the film days we would call images grainy, today we call them noisy – higher ISO images tend to be noisy and have a lot of deep shadows inside the helmets making it almost impossible to see the player’s face or eyes. One way to deal with the poor lighting conditions, deep shadows and lack of face/eye detail is to shoot with a flash, not the built-in flash that pops up on top of your camera, but a dedicated hot-shoe flash, sometimes referred to as a speed-lite or strobe.
Shooting flashed football with strobes or a speed-lite requires an entirely different skills set from shooting your typical ambient light night football game. The complexities of shooting flashed football are extensive and range from where you mount your flash to how you trigger it so let’s not go into the details of that and focus the discussion on the quality differences and if they are a determining factor in your purchasing decisions.
Some examples of the quality and “look” of flashed football.
With flashed football you can clearly see the player’s face and eyes, the colors are brighter and the grain or noise is very low.
To read the rest of the story click the continue reading button below.
Continue reading →